Wednesday, January 27, 2021

Vile Bodies by Evelyn Waugh



Vile Bodies (Excerpt)

‘What would you do if you suddenly got a thousand pounds?’ Adam asked.

‘A thousand pound,’ said the King, his eyes growing dreamy at the absurd vision. ‘Well, first I should buy a house and a motor car and a yacht and a new pair of gloves, and then I would start one little newspaper in my country to say that I must come back and be the King, and then I don’t know what I do, but I have such fun and grandness again.’

‘But you can’t do all that with a thousand pounds, you know, sir.’

‘No . . . can’t I not? . . . not with thousand pound . . . . Oh, well, then I think I buy a gold pen with eagles on him like the Liberals stole.’

‘I know what I’d do,’ said the Major. ‘I’d put it on a horse.’

‘What horse?’

‘I can tell you a likely outsider for the November Handicap. Horse named Indian Runner. It’s at twenty to one at present, and the odds are likely to lengthen. Now if you were to put a thousand on him to win and he won, why you’d be rich, wouldn’t you?’

‘Yes, so I would. How marvellous. D’you know, I think I’ll do that. It’s a very good idea. How can I do it?’

‘Just you give me the thousand and I’ll arrange it.’

‘I say, that’s awfully nice of you.’

‘Not at all.’

‘No, really, I think that’s frightfully nice of you. Look, here’s the money. Have a drink, won’t you?’

‘No, you have one with me.’

‘I said it first.’

‘Let’s both have one, then.’

‘Wait a minute though, I must go and telephone about this.’

He rang up the Ritz and got on to Nina.

‘Darling, you do telephone a lot, don’t you?’

‘Nina, I’ve something very important to say.’

‘Yes, darling.’

‘Nina, have you heard of a horse called Indian Runner?’

‘Yes, I think so. Why?’

‘What sort of a horse is it?’

‘My dear, quite the worst sort of horse. Mary Mouse’s mother owns it.’

‘Not a good horse.’

‘No.’

‘Not likely to win the November Handicap, I mean.’

‘Quite sure not to. I don’t suppose it’ll run even. Why?’

‘I say, Nina, d’you know I don’t think we shall be able to get married after all.’

‘Why not, my sweet?’

‘You see, I’ve put my thousand pounds on Indian Runner.’

‘That was silly. Can’t you get it back?’

‘I gave it to a Major.’

‘What sort of a Major?’

‘Rather a drunk one. I don’t know his name.’

‘Well, I should try and catch him. I must go back and eat now. Good-bye.’

But when he got back to Lottie’s parlour the Major was gone.

‘What Major?’ said Lottie, when he asked about him. ‘I never saw a Major.’

‘The one you introduced me to in the corner.’

‘How d’you know he’s a Major?’

‘You said he was.’

Week 16: Ain't Misbehavin'


Week 16: Jeeves & Wooster


Week 16: Ever so Goosey


Thursday, January 21, 2021

Week 15: Dadaist Manifesto

 Dadaist Manifesto

The magic of a word—Dada—which has brought journalists to the gates of a world unforeseen,
is of no importance to us. To put out a manifesto you must want: ABC to fulminate against 1, 2, 3
to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to
sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove
your non plus ultra and maintain that novelty resembles life just as the latest-appearance of
some *****  proves the essence of God. His existence was previously proved by the
accordion, the landscape, the wheedling word. To impose your ABC is a natural thing—
hence deplorable. Everybody does it in the form of crystalbluffmadonna, monetary system,
pharmaceutical product, or a bare leg advertising the ardent sterile spring. The love of
novelty is the cross of sympathy, demonstrates a naive je m'enfoutisme, it is a transitory,
positive sign without a cause.

Week 15: Gertrude Stein



If I Told Him, A Completed Portrait of Picasso
BY GERTRUDE STEIN

            If I told him would he like it. Would he like it if I told him.             Would he like it would Napoleon would Napoleon would would he like it.
            If Napoleon if I told him if I told him if Napoleon. Would he like it if I told him if I told him if Napoleon. Would he like it if Napoleon if Napoleon if I told him. If I told him if Napoleon if Napoleon if I told him. If I told him would he like it would he like it if I told him.
            Now.
            Not now.
            And now.
            Now.
            Exactly as as kings.
            Feeling full for it.
            Exactitude as kings.
            So to beseech you as full as for it.
            Exactly or as kings.
            Shutters shut and open so do queens. Shutters shut and shutters and so shutters shut and shutters and so and so shutters and so shutters shut and so shutters shut and shutters and so. And so shutters shut and so and also. And also and so and so and also.
            Exact resemblance to exact resemblance the exact resemblance as exact resemblance, exactly as resembling, exactly resembling, exactly in resemblance exactly and resemblance. For this is so. Because.
            Now actively repeat at all, now actively repeat at all, now actively repeat at all.
            Have hold and hear, actively repeat at all.
            I judge judge.
            As a resemblance to him.
            Who comes first. Napoleon the first.
            Who comes too coming coming too, who goes there, as they go they share, who shares all, all is as all as as yet or as yet.
            Now to date now to date. Now and now and date and the date.
            Who came first Napoleon at first. Who came first Napoleon the first. Who came first, Napoleon first.
            Presently.
            Exactly do they do.
            First exactly.
            Exactly do they do.
            First exactly.
            And first exactly.
            Exactly do they do.
            And first exactly and exactly.
            And do they do.
            At first exactly and first exactly and do they do.
            The first exactly.
            And do they do.
            The first exactly.
            At first exactly.
            First as exactly.
            As first as exactly.
            Presently
            As presently.
            As as presently.
            He he he he and he and he and and he and he and he and and as and as he and as he and he. He is and as he is, and as he is and he is, he is and as he and he and as he is and he and he and and he and he.
            Can curls rob can curls quote, quotable.
            As presently.
            As exactitude.
            As trains.
            Has trains.
            Has trains.
            As trains.
            As trains.
            Presently.
            Proportions.
            Presently.
            As proportions as presently.
            Farther and whether.
            Was there was there was there what was there was there what was there was there there was there.
            Whether and in there.
            As even say so.
            One.
            I land.
            Two.
            I land.
            Three.
            The land.
            Three
            The land.
            Three.
            The land.
            Two
            I land.
            Two
            I land.
            One
            I land.
            Two
            I land.
            As a so.
            The cannot.
            A note.
            They cannot
            A float.
            They cannot.
            They dote.
            They cannot.
            They as denote.
            Miracles play.
            Play fairly.
            Play fairly well.
            A well.
            As well.
            As or as presently.
            Let me recite what history teaches. History teaches.

Gertrude Stein, “If I Told Him, A Complete Portrait of Picasso” from Selections: Gertrude Stein. Copyright © 2008 by University of California Press. Reprinted by permission of the Estate of Gertrude Stein.

Tuesday, January 12, 2021

Viva Prompts

  • Olivia: How did neo-Darwinian ideas shape the European approach to colonization?
  • Rachel: How did Fin de Siècle cultural trends shape European society?
  • Hope: How did traditionalism develop in response to the challenges of nineteenth-century modernism?
  • Eli: What were the historical implications of the Restoration?
  • Sarah: How did Oscar Wilde and the Aesthetic movement shape modern perspectives?
  • Elena: How did the British Empire shape the modern world?